![]() Unfortunately, the second act moves with less fluidity than the first. It’s all excruciatingly familiar but thanks to some nice aerials shots and brisk cutting the second act reaches us in short order. ![]() The first act of “Cold Prey” looks like a car commercial and plays the ship of fools (vapid teens) formula to a teetering doze. From there the film enters stalk and slash mode and works to a familiar endpoint. The lodge, non-coincidentally, also happens to be home to a marauding mountain man with a pickax. It’s soon revealed that the lodge is the same place where the boy went missing some 30 years prior. When one member of the group breaks his leg they are forced to take shelter in a derelict ski lodge. From there the film tells a pretty straight tale about a group of 5 friends on a back country snowboarding trip. “Cold Prey” opens with a quick back-story that involves a child gone missing in the mountains of Norway. That both films were in production around the same time probably just means that "Cold Prey’ was more informed by “Haute Tension” than it was "The Hills Have Eyes". sand you might well think you were watching Aja’s mutant retread reset in Jotunheimen. To be pointed, Uthaug’s 2006 Norwegian slasher is so stylistically similar to Aja’s “The Hills Have Eyes” remake that were it not for the little matter of snow vs. I don’t know this for a fact but after watching “Cold Prey”, I’d lay my next paycheck on it. Roar Uthaug is familiar with the work of Alexandre Aja.
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